Sunday, March 31, 2013

THE BEADING GEM'S JOURNAL

How to Make Dreamcatcher Jewelry Tutorials

The Ojibwa and Lakota Native American tribes have a long standing tradition of dreamcatchers. The simple willow hoops (round or teardrop) complete with "spiderwebs" are meant to catch the dreams of children. The Ojibwa believe the charms trap bad dreams and thus filter good dreams to the sleepers while conversely, the Lakota believe good dreams are caught for the benefit of the sleepers.


Whatever the version, dreamcatchers caught on with the other tribes during the American Indian Movement in the 1960's and 1970's.  They are now universally admired.

I bought the pair of bead and wire dreamcatcher earrings -shown above and below- from a craft store in, of all places, Newfoundland while on holiday there some years ago.  Why?  They were the tiniest detailed dreamcatchers I have ever seen. I don't have the patience to make them this small!


But here are some larger tutorials for those who wish to try making dreamcatchers.  Remember you can scale up or down the size of these dreamcatchers depending on whether you want to make earrings or pendants.

First up is the dreamcatcher earrings tutorial by Rebecca Minkoff over at the Minkette blog. 


The delightful "heartcatcher" is a wire worked version of the dreamcatcher. This tutorial is by Kei of Unfortunately Oh!


The pendant version by Camille is worth a watch especially if you prefer a video tutorial.



Note that a solitary bead in the middle of the web could denote the spider that made the web. More beads than one is thought to represent the trapped dreams. The feathers often attached to the dreamcatchers could represent soft "ladders" for the good dreams to slide down on. 


Reference
Native American Vault : Legend of the Dreamcatcher

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Saturday, March 30, 2013

THE BEADING GEM'S JOURNAL

Make a Multiple Jump Ring Necklace

Got a new jump ring maker?  Then this project is just for you as it requires a lot of jump rings. The jump rings become part of the design.   They do contribute to a most informal look.  A good thing if your jump rings aren't all perfect!

The tutorial is by Beverly over at Flamingo Toes who confesses to a necklace fetish.  She was inspired by a necklace she had seen at Lofts.

I particularly like the way the jump rings are connected through the chain links thus keeping them from moving and adding to the "messy" style.  The design is very versatile as one can add different kinds of beads at the bottom of the necklace.

Do you think a dangle bracelet is possible with the same style too?  I think so.

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Friday, March 29, 2013

THE BEADING GEM'S JOURNAL

Jewelry Photography with Mannequins

When you buy clothes online or browse through a catalog, the goods are invariably modeled.  So it is with jewelry - pieces look far better on a person then just by themselves.   But if you, like me, don't have readily available model volunteers and don't have a budget to pay for professionals, then consider mannequins. They work for nothing - at least after you pay for them!


Long time blog readers might remember Lola, my headless mannequin with the perpetual sun tan.  She is named after the infamous Lola Montez whom I once wrote about.  Lola needs to be dressed as her suntan is decidedly fake and her complexion is terrible.  But she does do a good job displaying most of my necklaces.

I used to stuff her in my old pop-up fabric light tent but she was a very tight fit.  So now I use the smart case of the largest Modahaus photostudio to diffuse the light.  I have to set Lola down on a chair as my full size tripod is not tall enough if she was on the table.   As you can see, my cat was unimpressed! Not a bead chasing day.


If you don't have a Modahaus unit, rig something up - white rice paper or tissue paper will probably be good substitutes. As you can see, the natural light I get just comes from the window and patio door. So I had to adjust my camera's ev settings to lighten the shot. The resulting plain background is thus not distracting.

Lola was no help with earrings though.  So I decided to get a mannequin with not only a head but ear holes as well and added a suitable mannequin wig.  Meet Bertha, the beautiful tavern wench who relies on her loveliness to entice but she is not much good at serving customers!


I chuckled when Susan commented on my Facebook page after I uploaded the finished tagua necklace photo there. She said, "Great job, Pearl! But put some clothes back on your model!"  Bertha admittedly has absolutely no shame being a tavern wench but no body either for any clothes! She also has a much better skin tone than Lola as she doesn't get out much in the sun!

I found it best not to put too much of a final kink in ear wire ends. Otherwise I couldn't get the earrings on Bertha. Her ears are not flexible like human ones. Studs though are not a problem. 


The value of modeling jewelry is apparent as just with one glance a viewer can see the relative size of the earrings and how it would look on a person.


I cropped the photographs for 2 reasons. First to better showcase the earrings and second to make Bertha look less fake. But there was nothing I could do about synthetic and flyaway hair!

Most draped necklaces look fine on Lola. The tagua necklace though was a bib style piece and looked better on Bertha when compared with Lola's picture above. That's because Bertha has much more lifelike proportions. No clothes to distract from the jewelry either!

 
Bertha's eyelashes are fragile so I use the packing mask she came in plus the hair net for the wig. She is stored in a large plastic bag and placed within a box for storage.


So now I have a headless torso and a bust with no torso or limbs.  Got to think up something really creative and creepy for Halloween!  Any suggestions?

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